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Tonight Govan Grind — Committed Amp Filtering & Dry Groove

The Tonight sessions emphasized committed sounds rather than clean DI safety tracks, with unusual room and microphone choices and songs assembled from repeated live sections. No reliable source identifies the exact guitar, amp or controls for “Ulysses,” so this preset uses a representative Telecaster, Selmer/Bassman-style blend and aggressive tracking-stage filtering. Source: Tape Op’s Dan Carey interview and Paul Savage interview on Tonight: Franz Ferdinand.

Signal Chain

Fender Telecaster Deluxe-style guitar, exact session instrument undocumentedSelmer and Fender Bassman-style studio blendMixed vintage speaker cabinets, exact models undocumentedCommitted Studio Filtering and CompressionOutput
GuitarFender Telecaster Deluxe-style guitar, exact session instrument undocumented
Tone
8.5
PickupBridge
TuningE Standard
Volume
10
AmpSelmer and Fender Bassman-style studio blend
Bass
2.5
Mids
8
Blend5/5
Treble
6.5
Selmer Volume5.5
Bassman Volume5
Cab / IRMixed vintage speaker cabinets, exact models undocumented
MicStudio microphone, exact model undocumented
Mic PositionExperimental room/close placement; committed at tracking
EffectCommitted Studio Filtering and Compression
Low CutHigh
Clean DINone
Compression4
Upper-Mid Emphasis7

Notes

Keep the guitar narrow, dry and repetitive so it works with the bass-led groove. Commit to the filtered tone while tracking instead of adding a large polished amp sound later.

Don't have this gear?

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.

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