Real AmpTuning: E StandardPickup: BridgeMost AccurateCrunch

Phase-Cancelled Laney Snarl — Fixed-Wah Riff

The signature riff was recorded fingerstyle with a Gibson Les Paul through a Laney amplifier, with a wah parked in a fixed position to emphasize the nasal midrange. Sources disagree over the precise Les Paul model, while the strange texture also depended on two microphones combining partially out of phase, so the settings are representative rather than an exact knob sheet. Source: Sound on Sound Classic Tracks and Guitar World.

Signal Chain

Gibson Les Paul — exact studio model disputedMorley Wah — parked positionLaney 2x12 amplifierLaney 2x12 speakersLoose Studio DoubleOutput
GuitarGibson Les Paul — exact studio model disputed
Tone
3
PickupBridge
TuningE Standard
Volume
10
PedalMorley Wah — parked position
Level
6
Resonance
7
Pedal PositionApproximately two-thirds forward
AmpLaney 2x12 amplifier
Bass
3.5
Gain
6.5
Mids
8.5
Master
7
Treble
5
Presence
5.5
Cab / IRLaney 2x12 speakers
MicClose dynamic and condenser pair
Mic PositionDifferent distances with partial phase cancellation
EffectLoose Studio Double
PanWide
Layers2
Tightness7

Notes

Do not use a conventional scooped hard-rock tone. Park the wah until the upper mids honk, use your thumb and first two fingers, and leave slight timing differences between doubled takes.

Don't have this gear?

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.

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