Real AmpTuning: E StandardPickup: NeckAlternative RockCrunchMost Accurate

Stadium Arcadium Modular Funk — Filtered Verse, DS-2 Chorus & Wah Solo

Frusciante used his 1954 Stratocaster, beginning with a straight clean tone before splitting the signal into dry and Doepfer-filtered stereo paths. The chorus was doubled through a Boss DS-2, while later sections used MuRF processing, tape phasing, wah and Delta Labs Effectron delay; settings are approximated because the interview documents techniques rather than knob positions. Source: Ground Guitar’s Stadium Arcadium song-by-song breakdown, based on Frusciante’s 2006 Guitar Player interview.

Signal Chain

1954 Fender StratocasterMarshall Major and Silver Jubilee blendMarshall 4x12 cabinet pairDoepfer A-100 Dynamic Low-Pass Filter SplitOutput
Guitar1954 Fender Stratocaster
Tone
8.5
PickupNeck
TuningE Standard
Volume
10
AmpMarshall Major and Silver Jubilee blend
Bass
5
Mids
6.5
Blend5
Treble
5
Presence
4.5
Jubilee Gain3.5
Major Volume4.5
Cab / IRMarshall 4x12 cabinet pair
MicSM57 and distant Royer-style ribbon
Mic PositionSM57 close on cone; ribbon approximately 15 feet away
EffectDoepfer A-100 Dynamic Low-Pass Filter Split
Dry PanLeft
Filtered Mix4
Filtered PanRight
Filter Cutoff5
Envelope Sensitivity6

Notes

Begin with a genuinely clean Strat sound and let the filtered stereo layer remain secondary. The solo should grow from doubled melodic lines into a looser wah-heavy final run.

Don't have this gear?

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.

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