Early Art-School Scrape — Selmer Rhythm & Jagged Counterline

The early single belongs to the same lean dual-guitar language later captured on the debut: sparse melodic parts, hard attack and very little low-frequency weight. No song-specific equipment log survives, so the Telecaster/Hagström assignments and controls are representative settings approximated from the documented Selmer and Bassman rig. Source: Sound on Sound’s “Recording Franz Ferdinand,” Premier Guitar’s “Spanners in the Works,” and The Skinny’s Alex Kapranos retrospective.

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.