Albert Studios Full-Throttle Rise — Super Bass Rhythm & Lead Stack
The title track was produced by Harry Vanda and George Young to preserve the band’s live momentum, and album documentation associates Malcolm with his stripped Gretsch and Angus with loud Marshall amplification. Evidence conflicts over whether Angus used an SG or Les Paul-family instrument on particular takes, so the guitar is labelled uncertain and all control positions are approximated from the documented era rig. Source: Equipboard’s Let There Be Rock album page and Guitar World’s Angus and Malcolm career interview.
Signal Chain
Notes
This is high energy, not modern high gain. Allow the performance to accelerate and become rougher toward the ending while keeping the low end lean.
Don't have this gear?
See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.