Compass Point Open-Chord Engine — Dry Rhythm & SG Lead
The recording was built from the Back in Black album’s live basic-track approach, with Malcolm’s Gretsch rhythm and Angus’s SG recorded through carefully selected Marshall heads and paired condenser microphones. No trustworthy source assigns a specific amp or control layout to this individual song, so the settings are approximated from Tony Platt’s documented session method and the album gear pool. Source: Premier Guitar’s Tony Platt interview, SoloDallas’s recording archive, and Guitar.com’s Back in Black gear guide.
Signal Chain
Notes
Use moderate gain and attack the open chords hard. During the breakdown, reduce picking intensity rather than changing to a cleaner preset, then let the full tone return with the band.
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See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.