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RCA Horn-Line Fuzz — Maestro FZ-1 Riff

Keith Richards treated the central guitar line as a temporary guide for a future horn arrangement, using a Maestro FZ-1 Fuzz-Tone to give it a sustained, brass-like character. Engineer Dave Hassinger reportedly applied substantial console EQ to make the primitive fuzz cut through, while the precise guitar, amplifier and settings remain disputed. Settings approximated from the documented session equipment. Source: Premier Guitar's Rolling Stones Gear excerpt and Guitar World.

Signal Chain

Gibson electric guitar, exact session model disputedMaestro FZ-1 Fuzz-ToneRCA studio guitar amplifier, exact model undocumentedStudio guitar speaker, exact model undocumentedRCA Console EqualizationOutput
GuitarGibson electric guitar, exact session model disputed
Tone
9
PickupBridge
TuningE Standard
Volume
10
PedalMaestro FZ-1 Fuzz-Tone
Attack7
Volume
8
AmpRCA studio guitar amplifier, exact model undocumented
Bass
3
Gain
3.5
Mids
7
Master
6
Treble
7
Presence
6
Cab / IRStudio guitar speaker, exact model undocumented
MicClose dynamic
Mic PositionNear cap-edge transition
EffectRCA Console Equalization
Output6
Low Cut7
Treble Boost5
Upper-Mid Boost8

Notes

Do not aim for a smooth modern fuzz. Reduce the bass sharply, emphasize the upper mids and play the riff like a clipped horn phrase.

Don't have this gear?

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.

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