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Direct-Injected Prince Fuzz — Dry Riff & Oscillating Texture

Bellamy has said that the song’s abrasive fuzz guitar was recorded direct rather than through a conventional miked amplifier, although the precise fuzz or processor remains disputed. This preset therefore uses a deliberately generic direct-injected fuzz block rather than falsely identifying a Big Muff or Fuzz Factory as certain. Source: MuseWiki’s Tones page, Mixdown’s Matt Bellamy gear rundown and Guitar World’s Bellamy fuzz report.

Signal Chain

Manson M1D1-style guitarDirect-Injected Fuzz, exact device undocumentedDirect signal pathNo conventional cabinet; filtered DIShort Slap and Filter MovementOutput
GuitarManson M1D1-style guitar
Tone
10
PickupBridge
TuningE Standard
Volume
10
PedalDirect-Injected Fuzz, exact device undocumented
Gain
8
Gate6
Tone
7
Output7
AmpDirect signal path
Bass
3
Mids
8
Master
6
Treble
7.5
Presence
7
Preamp Drive6
Cab / IRNo conventional cabinet; filtered DI
MicNone
Low Pass7 kHz
High Pass120 Hz
EffectShort Slap and Filter Movement
Mix
1.5
Feedback
1
Delay Time85 ms
Filter Movement3

Notes

Remove most cabinet warmth and keep the sound dry, narrow and abrasive. Palm muting and clipped note lengths are essential to the danceable groove.

Don't have this gear?

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.

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