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Elephant Octave Descent — Kay Bass Illusion & Big Muff Slide

Jack White recorded all three guitar voices with an early-1960s Kay K6533 archtop through a Sears Silvertone 1485. The apparent bass riff is the guitar shifted one octave down, while the solo adds a Big Muff after the Whammy; the documented original settings are reproduced below. Source: Guitar World’s “Secrets Behind Jack White’s Guitar Tone on Seven Nation Army” (2020).

Signal Chain

Early-1960s Kay K6533 archtopDigiTech Whammy 4Sears Silvertone 1485Silvertone 1485 6x10 with Jensen C10Q speakersOutput
GuitarEarly-1960s Kay K6533 archtop
Tone
8
PickupNeck
TuningOpen A — EAEAC#E
Volume
10
PedalDigiTech Whammy 4
Mix
10
ModeOne octave down
Pedal PositionToe down
AmpSears Silvertone 1485
Bass
5
Reverb
0
Treble
7
Volume
6
Channel2
Tremolo0
Cab / IRSilvertone 1485 6x10 with Jensen C10Q speakers
MicClose dynamic
Mic PositionOff-axis, cap-edge transition

Notes

Use open-A tuning and allow the mildly driven Silvertone tone to remain rough. Engage the Big Muff only for the slide solo.

Don't have this gear?

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.

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